faux bamboo furniture in hollywood regency design

faux bamboo has been included in a lot of design styles: rococo, art deco, …and now hollywood regency.  for a touch of asian exotic, go with faux bamboo. 

Oriental Chinese style (20th Cent) faux bamboo altar console table with carved teak floral filigree apron

Oriental Chinese style (20th Cent) faux bamboo altar console table with carved teak floral filigree apron @ newel.com

 

faux bamboo chair

faux bamboo chair @ artcollector-usa

faux bamboo is a thought provoking combination of nature and man made materials and geometry. bamboo’s uniform growth pattern lends itself to manmade replication.  the embellishment has a pleasing aspect, but i find myself arguing with the fakeness of the result.  

faux bamboo mirror at art collector usa

faux bamboo mirror @ artcollector-usa

real bamboo tapers gently.  i miss the natural uneven dimensions.  and for me it is always a common building supply.  

i grew up in hong kong where bamboo scaffolding was a part of the always persistent culture of construction.  small chinese men fearlessly whipped that stuff together as they climbed the towering grids that wrapped the tall buildings.  sometimes it blew down a bit in typhoons, but it was cheap and easy to replace.  for me, bamboo evokes confidence and strength, but a normal everyday kind.   

bamboo scaffolding in HK

bamboo scaffolding in Hong Kong

bamboo’s fast growth is amazing.  one botanical garden near my house walks you through a great variety of species, and the winding path through the unique dense forest is quite magical.  

bamboo at kanapaha botanical gardens, gainesville, florida

bamboo at kanapaha botanical gardens, gainesville, florida

bamboo

bamboo

i don’t have faux bamboo at my house.  i prefer cleaner simpler lines.  however, if you like the ornamented hollywood regency style, some bamboo look alike accents fit in wonderfully, with more polished symmetry than the original, and in all types of materials.  

Faux Bamboo (Italian 1940s) style gilt metal nest of 3 coffee tables with rectangular glass tops @ newel.com

Faux Bamboo (Italian 1940s) style gilt metal nest of 3 coffee tables with rectangular glass tops @ newel.com

Advertisements

geometric furniture design by frank lloyd wright

my first encounter with frank lloyd wright’s work was a tour one summer’s afternoon through fallingwater.  set deep in its beautiful wooded pennsylvania valley, you walk through the property and have a slight suspicion that you might be falling with the water below.  

fallingwater, frank lloyd wright

fallingwater, frank lloyd wright

actually, his design was not perfect and the building had been falling.  when we were there there were props holding it up while reinforcements were being added… not so impressive.

wright was so famous and popular because he accomplished a lot and preached himself successfully.  in effect, he was his own prop.  like many great designers, he taught, wrote, travelled, lectured, and was an interesting, and at times controversial individual.  (americans love trailblazers.)  in personal and business matters, by contrast, he was often a failure … like the faulty cantilevered fallingwater.  

living room at fallingwater

living room at fallingwater

living room at fallingwater

 

but you cannot deny both the drama and the serenity of the place with its stone floors and big open great room, balancing there as the water falls on and on below.  

when i was in school i loved mathematics, especially geometry.  i could happily fiddle with ruler, compass and pencil for hours, drawing neat curves and perfect angles.  very satisfying.  i later became a draftsman of engineering and architectural drawings, for a time (before the days of autocad!…yes, i am getting old).  so wright’s furniture designs make me smile.  

he borrowed traditional japanese styles.  he loved the japanese respect for the beauty of wood.  then he set about drawing neat circles and lots of straight lines.  easily manufactured and reproducible, was one of his goals.   

 

desk and chair at fallingwater

desk and chair at fallingwater

 

copy of the wright barrel chair, made for the dining area at fallingwater

copy of the wright barrel chair, made for the dining area at fallingwater

 

frank lloyd wright 1937 desk chair, us patent print

frank lloyd wright 1937 desk chair, us patent print

i have my doubts about his furniture’s comfort, though.  in his architecture, he studied the landscape and made his buildings spring out of it’s surroundings.  this organic emphasis seems lost in his furniture.  it disregards the body’s curves. function and form do not meet.  and aesthetically i miss any tribute to the subtler curves and lines found in nature.  

i don’t think he tried to make any cantilevered chairs. they would really worry me.  

but the cantilevered shelving at fallingwater is great.  i love the clean lines and smooth wood, especially in contrast to the rough rock floors.  perhaps i will knock my walls about a bit and cantilever some shelves….

Built in 1895 for the Frank Lloyd Wright Home and Studio, these side chairs have high backs that extend above the heads of the sitters. When positioned around a dining table, the chairs created a temporary, intimate enclosure of space, a room within a room.

Built in 1895 for the Frank Lloyd Wright Home and Studio, these side chairs have high backs that extend above the heads of the sitters. When positioned around a dining table, the chairs created a temporary, intimate enclosure of space, a room within a room.

Frank Lloyd Wrights 1949 Taliesin Origami Chair

Frank Lloyd Wright's 1949 Taliesin "Origami Chair" (whimsical but comfortable??)

hollywood regency interior design: glamorous… and dusty

 

creamy vintage paris boudoir vanity chair

creamy vintage paris boudoir vanity chair

the glamor of the hollywood regency interior design style is a mimicry of the early movie heyday star’s lifestyles and tastes.  these people entertained lavishly, their homes were adorned with exotic furnishings and dramatic flair. they were adored almost as royalty.  hollywood regency furniture is a broad category difficult to define.  the look is not minimalist, but some pieces within the design can be.  it can include mid-century modern or older styles, asian pieces, blacks, whites, wood grains, just about any kind of color combination that suits your taste.  but heavily carved and heavily upholstered pieces are often included.  

designers william haines and dorothy draper lived this life and developed this look for others.  they were gutsy, wealthy, successful and admired.  these websites are worthwhile.  

haines interior

william haines interior

 

william haines
william haines, 1900-1973
The lobby of the Hampshire House, completed in 1937, Dorothy Draper

lobby of the hampshire house, completed in 1937, dorothy draper

 

dorothy draper 1889-1969

dorothy draper 1889-1969

we do not have to spend thousands to incorporate this style (just look like we did), thanks to online used furniture dealers. there is a large assortment of hollywood regency style furniture online, especially on ebay.  my favorite companies are ts and company and art collector-usa.  they offer an excellent blanket wrapped furniture moving service, tsc moving.

a regency is a substitute government or rulership.  they had them in europe when the royal heir was still a boy, for instance, or when there was no clear ruler for a time, or when the ruler was absent.  some would argue that hollywood movie stars are the royalty of america, substitutes because we don’t have anything else.  you don’t vote for or against the stars and argue endlessly about their ideas and actions.  the adored actors are just there.  wonderful, rich, envied.  this was especially true during and the decade after the second world war.  their world was a welcome escape.  it was a reminder that war and the hardships it created were not the only reality.  we welcome the same kind of refuge in these times.  when we mimic their style, we attempt to capture something of their lifestyle for ourselves, the ability to impress and offer the comfort and luxury to our friends as we entertain. 

but be warned: this style is dusty.  writing this piece i cannot help thinking about numerous vintage furniture items i have dealt with in the hollywood regency style.  you need a maid (or you are the maid).  these people had maids, believe me.  the tufted upholstery chairs are tricky to clean.  folds of fabric and those fabric covered buttons trap dirt and animal hair.  the buttons tend to go missing.  they are one of the most expensive re-upholstery jobs, the most time consuming if you attempt it yourself.  lots of carved woodwork, chandeliers, interesting ornaments sitting on coffee tables, all gathering dust.  do we honestly have time for this?  does the imagined serenity of the rich and famous really rule our desires?  maybe that ambition is also dusty.

furniture design – thonet’s lifestyle

how do you get from this….
The Battle of Trafalgar by J. M. W. Turner (oil on canvas, 1822–1824)

to this?

Thonets mass produced no.14 chair

Thonet's mass produced no.14 chair

you cannot separate great designers from their life and time.  case in point, michael thonet.  he was a cabinet maker by training.  interior design at that time was following the trends of architecture and that was inspired by royalty (and the church.)  see me, my great buildings, trust me and follow me (even though i am rather foolish), sort of thing (well, not the church entirely, nor all royalty, but lots of it).  but this was the beginning of the end for those that inherited moneyed upper classness.  along with the rise of british naval power was the beginning of the industrial revolution.  hard working innovators were the rising rich, first in britain and spreading to western europe and north america.  meanwhile, in prussia, and then austria, thonet and his four sons experimented with chairs.  

trade and war went hand in hand during the early industrial revolution, and the greatest need for both was fast ships.  the shipbuilders were the only ones bending wood.  lighter, stronger, sleeker, faster.  then sail to china, bomb their ports, trade your opium and tea, steal hong kong (1842). back to london for huge profits. (for example).

i was born and raised in hong kong and only the very old sat around there, much.  everyone worked hard to make the most of every opportunity — which was plentiful because of the hard work of the people that had built the place (and few regulations, low taxes, and good government).  factories were set up in tiny apartments, where whole families also lived, even in the shacks perched on the slippery hillsides.  little 3 year olds studied their characters to make it into the first year of school.  everyone studied english.  people were selling anything and everything wherever they could.

hong kong island, transformed from the 1800 fishing village

hong kong island, transformed from the fishing village of the early 1800s

but back to thonet and sons, whose story reminds me of hong kong.  he was born in 1796, apprenticed with a cabinet maker, was invited in 1842 to be the royal furniture designer for austria.  turned the offer down to keep his independence and vision of worldwide sales.  below is a excerpt from “Thonet 14,” by Giovanni Renzi.   bear in mind that there were no phones or emails, no cars or trucks.  steam ships and trains were only just getting under way.  there were no gas stations, no credit cards.  europe and north america were growing and changing rapidly, with every man for himself, more or less.  

The history, development and copies of the bestselling chair in the world 
Over a hundred and forty years ago, in 1859, a Thonet factory in Koritschan in Moravia, produced the first chair known as number 14 in the catalogues of the Viennese company. Since then several million chairs of this model have been manufactured and sold. 
According to various scholars of the Thonet phenomenon 
(1), it is possible to speak of fifty million examples manufactured and sold by 1930, whilst according to the advertising of Gebruder Thonet in its contemporary catalogues, fifty million chairs had been sold before 1914. This success was followed by extremely widespread competition from local, national and international firms, with several million (2) copies of the original built using the same bent beech-wood technique. Finally, the same model was reproduced using other materials; firstly iron, which was initially handcrafted and later worked using modern welding techniques, and then plastic. 
Such figures have never been repeated in the furniture sector, and although they have probably been inflated by advertising propaganda, they still represent the worldwide success of an extremely simple model: an archetype of the chair. 
Ever since the last quarter of the nineteenth century news papers and magazines and travel magazines have portrayed people of all races and ranks sitting on the number 14, firstly in drawings and later in photographs. 
The success of number 14 is the success of Michael Thonet and the final result of the stubborn conviction that beech-wood and the bending technique represented the future of chair making. Following twenty years of experimentation, marketing mistakes, technological intricacies and partial failures, Thonet managed to create the economic chair for mass consumption. 

michael thonet and sons, who started their own company in 1819

michael thonet and sons

more on thonet another time, but i am impressed by his story and his chairs.  we want things to be given to us today.  make it easy, make it fast.  but that is not how it happens.  get to work – or dream on and only see it on your dreams.