george nakashima and burlwood furniture design

it strikes me as an anomaly that we should highly prize furniture made with burlwood.  george nakashima, american architect turned furniture maker, was famous for his inclusion of this type of wood in his designs.  

burls (brit. burs or burrs) are malignant abnormalities that form on some trees when they have been under some unusual stress from disease.

burr on an old scottish black poplar

burr on a larch tree in scotland

not the graceful elven tree forms forms we expect.  they remind you of the hunchback of notre dame.  yet when sliced or carefully detached from the normal wood (this takes a lot of work and care because of the twisted, hardened nature of the burl) the veneer, the table tops, or the naturally sculpted forms that emerge are rare treasures.  

burlwood bench @ artcollector-usa

burlwood bench @ artcollector-usa

nakashima dining table

burlwood and glass end table @ TSandCompany

cabinet, george nakishima, @ treadwaygallery.com

why is this not the case with people?  we shun abnormal people.  we stare at and then pull back from people with scars or injuries.  we do not relish visits to hospitals and nursing homes.  our tv screens are filled with the beautifully perfect people only.  our tv news anchors are the ken and barbie dolls we love.  

yet my experience is that there is a deep strength and beauty in the hearts of the not normal.  i would rather their company than many more outwardly perfect people i know.  nakashima had a soft heart for the suffering.  i suspect he had suffered himself at some points in his life.  maybe this explains his long successful work with not normal wood.

geometric furniture design by frank lloyd wright

my first encounter with frank lloyd wright’s work was a tour one summer’s afternoon through fallingwater.  set deep in its beautiful wooded pennsylvania valley, you walk through the property and have a slight suspicion that you might be falling with the water below.  

fallingwater, frank lloyd wright

actually, his design was not perfect and the building had been falling.  when we were there there were props holding it up while reinforcements were being added… not so impressive.

wright was so famous and popular because he accomplished a lot and preached himself successfully.  in effect, he was his own prop.  like many great designers, he taught, wrote, travelled, lectured, and was an interesting, and at times controversial individual.  (americans love trailblazers.)  in personal and business matters, by contrast, he was often a failure … like the faulty cantilevered fallingwater.  

living room at fallingwater

 

but you cannot deny both the drama and the serenity of the place with its stone floors and big open great room, balancing there as the water falls on and on below.  

when i was in school i loved mathematics, especially geometry.  i could happily fiddle with ruler, compass and pencil for hours, drawing neat curves and perfect angles.  very satisfying.  i later became a draftsman of engineering and architectural drawings, for a time (before the days of autocad!…yes, i am getting old).  so wright’s furniture designs make me smile.  

he borrowed traditional japanese styles.  he loved the japanese respect for the beauty of wood.  then he set about drawing neat circles and lots of straight lines.  easily manufactured and reproducible, was one of his goals.   

 

desk and chair at fallingwater

 

copy of the wright barrel chair, made for the dining area at fallingwater

 

frank lloyd wright 1937 desk chair, us patent print

i have my doubts about his furniture’s comfort, though.  in his architecture, he studied the landscape and made his buildings spring out of it’s surroundings.  this organic emphasis seems lost in his furniture.  it disregards the body’s curves. function and form do not meet.  and aesthetically i miss any tribute to the subtler curves and lines found in nature.  

i don’t think he tried to make any cantilevered chairs. they would really worry me.  

but the cantilevered shelving at fallingwater is great.  i love the clean lines and smooth wood, especially in contrast to the rough rock floors.  perhaps i will knock my walls about a bit and cantilever some shelves….

Built in 1895 for the Frank Lloyd Wright Home and Studio, these side chairs have high backs that extend above the heads of the sitters. When positioned around a dining table, the chairs created a temporary, intimate enclosure of space, a room within a room.

Frank Lloyd Wright's 1949 Taliesin "Origami Chair" (whimsical but comfortable??)

high brow furniture website, a great find in my lounge chair search

highbrowfurniture.com is my great find of the evening.  i spend bits and pieces of time during my week working on my blog and quick research finds are bonus.  at this site, they focus on “twentieth-century iconic classics byAmerican designers,” and when you scan down the list of possibilities, a neat photo pops up to give you a first look.  web designers take note. this beats scrolling through long pages and lists, only to click and find it is not what you were after.  i shall add them to my blogroll and pop back often. the whole design is invitingly uncluttered.  

what do you think of this design for some outdoor lounge seating — i am leaning towards some folding pieces and a wood frame to compliment our wood deck and woodsy back yard. 

 

wegner folding chair @ high brow furniture, tn

wegner folding chair with hanger

high brow price: $6126,  $6502 with hanger.

6 tips for practical furniture design – chairs, curves, glasses of wine

life is complicated, it has radical ups and downs.  we need more curves, they calm, they welcome us…. and a long lunch sometimes with a good friend,  good cheese and a glass or two of wine.

i noticed at this cafe (where i was appreciating the company, and the fare, this week) that the chairs were all in the style of thonet’s 14.  metal versions with vinyl seats, but here was thonet’s design, which was originally launched and sold millions in the mid to late 1800s in europe and america.

thonet's innovative no. 14 chair

later the same day i watched the 2005 movie “pride and prejudice” (one of my favorites).  there was nothing like this design in all the interiors. everything was elaborate, ornate, heavy- more so with the more affluent.  i wondered how thonet managed to be successful with this design in the society of those times.  and why, after 150 years, is it still popular?  these questions brought me to today’s blog, and here are my answers.

6 basics that thonet’s chairs have – great for any chair design, but especially for dining chairs.

1. it is curved – most of nature has curved lines.  man’s inventions are most practically made with straight lines and sharp angles. maybe the curves are attractive because we need a break from the ups and downs of our man made days.  there are many angular modern furnishings available today, but i find this style unwelcoming.
2. the design is simple – the french and american revolutions, and the industrial revolution, were pushing away the need for everyone to prove that they were rich and upwardly mobile in society.  class mattered less. increasingly, you could sit with a friend from any walk of life at a local cafe and have a meal together.
3. it is radical – the simplicity and the new lines of the modern were, in thonet’s time, shocking.  this is a good thing.  we often need to be shaken out of our old ways, thoughts and patterns of living.  otherwise there is no change.
4. it is strong – thonet’s chair must have held up well to use, or he would not have kept selling them.  when thonet’s bent beechwood proved to be weak in tropical climates, he worked on twisting the wood while it was being bent, and he bought the glue factory that supplied his factories so that he could improve the glue.  many chairs these days are made of cheap, weak materials, weak at the joints, or the design just does not hold up to use.  and now there is the problem of obesity.  recently i was shopping for a new lounge chair for our deck and the label said, among other things about the care of the chair, “maximum load 300 lbs.”  new challenge for chair designers!
5. the seating can be replaced easily – the seat on thonet’s chair could be replaced and cleaned easily.  the seats were solid wood or a woven grass. when similar chairs are covered with fabric, which will inevitably get dirty or torn in a dining setting, a new covering can simply be stapled on and seat reattached the chair.  sounds like an unimpressive feature, but i have worked on many chairs that were a nightmare to repair or re-upholster.
6. it is light – heavy furniture is made by people who never do any cleaning.

another thonet design for an after dinner rest with curves